The exhibition is not so terrifying, however, the inhumanity of medieval methods is as terrifying as ever. The following photographs may be disturbing to some people.

A recent archaeological discovery has unveiled one of the most terrifying instruments in European history: the torture masks known as “Soyjak.” Over 200 years old, these macabre pieces, made from German copper, reveal disturbing details about the brutal torture practices employed in centuries past.

The discovery took place in an old basement of a mansion in the Bavarian region of Germany. During a restoration of the building, archaeologists found a series of copper masks carefully stored in wooden chests. According to experts, these masks, known as “Soyjak” because of their peculiar facial design that exaggerates human expressions, were used in psychological and physical torture methods to punish political dissidents, criminals, and those considered heretics.

The predominant material of these masks, German copper, was chosen for its durability and the ease with which it could be molded to fit the faces of the victims. Often, the masks were heated or altered to increase the suffering.

According to historical records and initial research, these masks were not just a symbol of public humiliation but were also part of extremely cruel torture methods. Written testimonies from the time mention that the masks were used alongside other tools, such as chains and shackles, to inflict unbearable pain.

In some cases, the masks were designed with internal spikes that slowly pierced the skin of the wearer. In others, they featured mechanisms that limited breathing or caused gradual asphyxiation. “It was a punishment designed to be both physical and psychological. The victims not only suffered pain but also extreme public humiliation, as they were often displayed with the masks on in squares or markets,” explains German historian Anna Fischer, who leads the study of the discovery.

The use of these masks dates back to the 18th and 19th centuries, a time marked by political conflicts and religious tensions in Europe. During this period, many local governments implemented brutal methods to impose order and suppress any form of dissent.

The “Soyjak” design of the masks, characterized by an exaggerated expression of surprise or mockery, could have served an additional purpose: to dehumanize the victims, reducing them to objects of ridicule and contempt. This reflects how the authorities of the time used grotesque humor as a form of social control.

The discovery of the masks has sparked an intense debate among historians and human rights activists. While some experts view this discovery as an opportunity to better understand the inhumane practices of the past, others criticize the romanticization or public display of such artifacts.

“These objects should serve as a reminder of the horrors humanity has been capable of committing. We should not glorify them, but learn from them to prevent them from happening again,” says social activist Clara Mendez.

On the other hand, several European museums have already expressed interest in acquiring the masks for their collections, arguing that they are pieces of great historical value. However, the controversy persists about how they should be presented to the public, especially in a time when discussions about the ethics of exhibiting historical artifacts are at the center of cultural debate.

Currently, the masks are being analyzed by an interdisciplinary team of archaeologists, metallurgists, and historians. Preliminary studies seek to determine more precisely how they were made, who used them, and how many people were victims of these torture tools.

Additionally, researchers hope this discovery will spur greater interest in the exploration of other historical sites that may contain similar objects. “It is crucial that we continue to uncover these dark chapters of our history, not to glorify suffering, but to shed light on the lessons they can teach us,” concludes Fischer.

The discovery of the “Soyjak” torture masks confronts us with an uncomfortable reality: the past is full of examples of human cruelty. By uncovering these relics, we have the opportunity to reflect on how to build a more just and humane future.